Art and Inequality
An AFSEE/III sub-project, co-convened by Mike Savage (convenor of Wealth, Elites and Tax Justice III research programme) and Armine Ishkanian (co-convenor of the Politics of Inequality III research programme)
This sub-project reflects on the potential of visual art’s critical power to contest and reimagine the relation of past/present/future in a world of intensifying economic and social inequality. We deliberately explore this issue in a double-sided way:
(a) reflecting on how the art world is saturated with economic and commercialising imperatives that limit the power of conventional artistic critique to meaningfully contest economic instrumentalism, and how art can therefore be implicated in processes of wealth accumulation. These imperatives can constrain both artistic and curatorial choices, with profound implications for questions of representation. How can we imagine an emergent politics that acknowledges the way that inequalities are sustained and accumulate over long periods of time, is committed to addressing ‘historic wrongs’ and charting possibilities of alternative futures.
(b) considering how artistic strategies of innovative practice and adaptation of technologies respond to and contest the legacies of colonialism, settler colonialism, dispossession and enslavement embedded in contemporary modes of power enacted through class, gendered and racialized inequalities. Can art enable us to imagine living otherwise?