Dr Sam Friedman

 I am a sociologist of class and inequality, and my research focuses in particular on the cultural dimensions of contemporary class division. I am currently working on two research projects. First, I am finishing a book (with Daniel Laurison) entitled The Class Ceiling: why it pays to be privileged, which will be published in 2018. This project, funded by an ESRC Future Research Leaders grant, examines social mobility into Britain’s higher professional and managerial occupations. The hidden barriers, or ‘glass ceiling’, preventing women and ethnic minorities from getting to the top are well documented. But as our recent work shows, the upwardly mobile also face a powerful and previously unrecognised ‘class pay gap’ within Britain’s high-status professions. Specifically, we find that those in top jobs who are from working-class backgrounds earn significantly less than more privileged colleagues – even after controlling for a host of factors known to affect earnings. We are currently conducting a series of in-depth occupational case studies that explore the drivers of this class ceiling in acting, architecture, accountancy and television. You can read more about the research here.

Recently I have begun a new project (with Aaron Reeves) analysing the entire historical database of Who’s Who – a unique catalogue of the British elite. Drawing on 120 years of biographical data, we are currently examining the changing relationship between Britain’s most elite ‘public schools’ – the nine Clarendon Schools -  and recruitment into the elite. We find that the propulsive power of these elite schools has both diminished significantly over time and yet remains doggedly persistent.  Alumni of elite schools also retain a striking capacity to enter the elite even without passing through other prestigious institutions, such as Oxford or Cambridge Universities or private members clubs.

s.e.friedman@lse.ac.uk

@samfriedmansoc 

Social Class in the 21st Century coverBooks

2015. Social Class in the 21st Century. Penguin (with Mike Savage et al) Click on image right for details.

 

 

Comedy and Distinction cover2014. Comedy and Distinction: The Cultural Currency of a ‘Good’ Sense of Humour’. Routledge (shortlisted for the 2015 BSA Philip Abrams Prize) .  Click on image right for details.

 


Selected publications

 

Forthcoming. 'The Decline and Persistence of the Old Boy: Private Schools and Elite Recruitment 1897-2016', American Sociological Review (with Aaron Reeves et al)

2017. ‘Mind The Gap: Mind the gap: financial London and the regional class pay gap’, British Journal of Sociology (with Daniel Laurison – early view available here)

2017. ‘I’m not a snob but…class boundaries and the downplaying of difference’, Poetics, 61 (2) 14-25 (with Vegard Jarness – available here)

2017. ‘Is London really the engine room? Migration, opportunity hoarding and regional social mobility in the UK’ National Institute Economic Review   240: 58-72 (with Lindsey Macmillan)

2017. ‘Resistance and Resignation: Responses to Typecasting in British Acting’Cultural Sociology  (with Dave O’Brien)

2017. ‘Cultural capital. Arts graduates, spatial inequality and London’s impact on cultural labour markets’ American Behavioural Scientist (with Kate Oakley et al).

2016. ‘The Class Pay Gap in Britain’s Higher Professional and Managerial Occupations’. American Sociological Review 81 (4) 668-695 (with Daniel Laurison – available here) - Winner of the 2017 ASA IPM Outstanding Article Award

2016. ‘Like skydiving without a parachute’: How Class Origin Shapes Occupational Trajectories in British Acting, Sociology (with Dave O’Brien and Daniel Laurison - available here)

2016. ‘Are the Creative Industries Meritocratic? An Analysis of the 2014 UK Labour Force Survey’ Cultural Trends, 25 (2) (with Dave O’Brien et al - available here)

2016. ‘Habitus Clivé and the Emotional Imprint of Social Mobility’, Sociological Review, 64 (1) 129-147  

2015. ‘Editors Introduction: Cultural Sociology and New Forms of Distinction’, Poetics, 53: 1-8 (with Hanquinet, Miles and Savage)

2015. ‘Breaking the ‘Class’ Ceiling? Social Mobility into Britain’s Elite Occupations’,Sociological Review, 63 (2) 259-290 (with Daniel Laurison and Andy Miles)

2014. ‘On Social Class, Anno 2014’ Sociology (Special Issue on British Social Class Debate) 48 (3) 1-20 (with Mike Savage et al)

2014. ‘The Hidden Tastemakers: Comedy Scouts as Cultural Brokers at the Edinburgh Festival Fringe’, Poetics, 42 (2) 22-41

2013. ‘The Price of the Ticket: Rethinking the Experience of Social Mobility’ Sociology  48 (2) 352-368

2013 ‘A new model of social class: findings from the BBC’s Great British Class Survey experiment’, Sociology, 47 (2) (with Mike Savage et al) 219-250

2013 ‘There’s something fundamental about what makes you laugh’: Comedy Taste and Symbolic Boundaries’, Cultural Sociology (Special Issue on Field Analysis), 7 (2) 179-195 (with Giselinde Kuipers)

2012. ‘Cultural Omnivores or Culturally Homeless? Exploring the Shifting Cultural Identities of the Socially Mobile’, Poetics, 40 (3) 467-489

2011. ‘The Cultural Currency of a ‘Good’ Sense of Humour: British Comedy and New Forms of Distinction’, British Journal of Sociology, 62 (2) 347-370

 

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 Sam Friedman