Dr Clive James Nwonka is an LSE Fellow in Film Studies within the Department of Sociology. He completed his PhD in Film Studies at Brunel University, which sought to improve understandings of the relationship between political ideology and film texts, and the broader concept of film as social practice. This considered the effect on social realism by New Labour’s Third Way and its social and cultural policy through questions of narrative, textual meaning and race and class representation. These meaning are approached primarily through question of realism and representation, but also from aesthetics and mise-en-scène. He spent two years as a Post-Doctoral Research Assistant on the AHRC Community Filmmaking and Cultural Diversity project led by Professor Sarita Malik within the Media and Communications department at Brunel University and has previously lectured at Brunel, Birbeck and University of Greenwich. Nwonka convenes the course White Screens/Black Images: The Sociology of Black Cinema on the MSc Culture and Society and was runner-up for Inspirational Teaching and winner of the Rising Star awards at the LSE SU Student-Led Teaching Excellence Awards 2019.
His research is situated at the intersections of contemporary realism and film policy, with particular interests in black British film, international cinemas and American Independent film. This is framed around the representation of socio-political issues in contemporary cinema, exploring the linearity between decontextualized representations with the macro changes in the political sphere – how national cinemas appropriate and counter political hegemony. This interest primarily concerns the discourses that frame textual meaning, representations of race, class and socio-political inequality and how film incorporates and visualises the frameworks of mainstream political ideology. Nwonka also has interests in the use of architectural theory as a framework for understanding how identities and spaces are crafted in film. As a result, his scholarship is interdisciplinary and underpinned by a mixed intellectual resource of film and TV studies, sociology, politics and cultural studies, situating textual readings within contemporary socio-political debates. Beyond academia, Nwonka has consulted on diversity policy for the Department of Digital, Culture, Media and Sport and the British Film Institute and on visual representations of race for Facebook.
Nwonka is currently writing on the political economy of diversity policy within the UK film industry, neoliberal aesthetics in contemporary black cinema and the representation of the white working class in American Independent Film. Alongside academic journal articles, Nwonka is currently writing a book on the aesthetics of British urban cinema, which draws on this interdisciplinary approach. It looks at a particular film genre through the optic of politics, race, architecture, allegory, music, media discourses as well as via traditional film studies approaches. Nwonka is also co-editing (alongside Dr Anamik Saha, Goldsmiths) the second iteration of Black Film British Cinema through Goldsmiths Publishing/MIT Press and the ICA.
Film Analysis; Race; Ideology; Cultural Policy; Creative Industries, TV; Film Theory; Cultural Representation; Media
Nwonka, CJ (2019) The New Babel: Film Diversity in Language and Practice
Journal of British Film & Television
Nwonka, CJ and Malik, S (2018) “Just Get Something Black Made” Institutional Diversity, the New Cinema Fund and BBC Film’s Bullet Boy: The Sociological Review
Nwonka, CJ and Malik, S (2017) Top Boy: The Allure of Urban Social Realism in a Post-Multiculturalist UK
Journal of British Film & Television
Nwonka, CJ. (2016) Hunger as Rhetorical Realism, Studies in European Cinema
Nwonka, CJ. (2015) Fish Tank, The Selfish Giant and the Language of Contemporary British Social Realism, New Cinemas: Journal of Contemporary Film
Nwonka, CJ (2015) Diversity Pie: Rethinking Social Exclusion and Quota in Shaping Diversity Policy in The Film Industry: The Journal of Media Practice
Nwonka, CJ (2020) The Aesthetics of British Urban Cinema. London. Bloomsbury Academic
Nwonka, CJ, Adams, N (2021) Managing Diversity in the Cultural and Creative Industries. London: Routledge
Nwonka, CJ, Saha, A (ed) (2020) Black Film British Cinema II. London: Goldsmiths Publishing/MIT Press/Institute of Contemporary Arts
Nwonka, CJ The Aesthetics of British Urban Cinema. London: Bloomsbury Academic (Under Proposal)
Nwonka, CJ (2017) The Council Estate as Cultural Verisimilitude in British Social Realism (in) David Forrest eds. Filmurbia: Filming the Suburbs. London: Palgrave Macmillan